Autism and inclusive practice Essay Example | Topics and Well Written Essays - 2500 words

Autism and inclusive practice - Essay Example The observation is based on a nine years and four months old child whose code name in this case, for confidentiality reasons, is RA. Child RA suffers from autism and is eligible for a personal or one-on-one support service because he needs assistance with his learning needs. The observations aims at identifying and assessing the child’s behaviour when in a group setting. During the first day of the observation process, the class teacher instructs the pupils to bring out their numeracy writing books. However, RA picks up a pencil then flicks hit and consequently hitting another child. When the teacher calls RA, he replies, â€Å"what?† The reply is rude and as the assistant, I took the initiative to ask him to apologize but he does this without maintaining eye contact with the teacher. When told to apologize in an appropriate manner, he responds properly and says, â€Å"I am sorry miss.† After the apology, RA sits down and a fellow pupil volunteers to give him a numeracy book but he snatches it without eye contact. Upon pointing out the unruly behaviour, RA apologizes. After sitting for a while, RA gets up from his table and when asked what he wants, he says he would like to work in a group with other pupils. The class teacher grants his request by placing him in one of the groups and he promises to work hard while respecting the other members. He then seems contented with the group.

Marcel Duchamp and Dadaism Essay Example for Free

Marcel Duchamp and Dadaism Essay The art of Dadaism had its roots as an anti-art movement. The period of time in Art History Dadaism represents was approximately period of time from 1916 to 1924. Dadaism rejected the way art was appreciated and the way art was generally being defined in contemporary art scenes at that time (Tomkins, 1985). Dadism art movement was a response to World War I and was founded in Zurich, Switzerland. There weren’t any unifying aesthetic characteristics in Dada art; however, the Dadaists did share an extremely skeptical attitude towards what were at the time, the expectations of artists and writers. The word â€Å"Dadaism† was chosen for its naive sound (Gale, 1997). After originating in Zurich, the Dadaism art movement continued to spread to places like Berlin, Cologne, Hanover, Paris, Russia and New York City (Gale, 1997). Many of the original Dadaist would gather at a nightclub in Zurich, Switzerland called Hugo Ball’s Cabaret Voltaire, to express their ideas (Tomkins, 1985). As far as the United States, the central locations for Dada art were Alfred Steiglitz’s gallery â€Å"291,† a studio at 291 Fifth Avenue, along with the studio of the Walter Arensbergs, a Harvard-educated U. S. resident and art collector (Tomkins, 1985). Because Switzerland was neutral to both WWI and WWII, objectors to the war, those avoiding military service and those who just wanted to find a place for free expression gravitated to Switzerland. Integral to the Dada movement was the attempt not to categorize the art work using any association with any reference to analyzing the art intellectually. Dada was also a reaction the bourgeois Victoria values of the late 19th and early 20th centuries. Dadaism was considered â€Å"absurb and playful† but at the same time it was considered to be â€Å"intuitive and cryptic† (Art, 2006). The methods used in producing this Dada art were not conventional and they used what they referred to at the time as â€Å"the chance technique and found objects† (Art, 2006). The Dadaists were trying to make their statement on the â€Å"social values and cultural trends of a contemporary world facing a devastating period of war† (Art, 2006). One of the artists associated with Dada and Surrealism was French artist Marcel Duchamp. However, according to some of my various readings, Duchamp’s actual participation in Surrealism was mostly behind the scenes. Most readings on Duchamp states that once he became involved in New York Dada, he seldom ever participated in Paris Dada. One of the reasons Marcel Duchamp is viewed as an enigma is that he is regarded as having produced one of the most diverse collections of masterpieces in the shortest amount of time. Some of the work Duchamp is most noted for are his oil on canvas â€Å"Nude Descending a Staircase,† â€Å"The Bride Stripped Bare by her Bachelors,† and his â€Å"ready-mades† which include the â€Å"Bicycle Wheel† and the porcelain urinal â€Å"Fountain† (Tomkins, 1985). In one source it was noted about Duchamp’s short creative period, â€Å"Duchamp was content to let others develop the themes he had originated; his pervasive influence was crucial to the development of surrealism, Dada and pop art† (Marcel, 2007). Upon viewing Duchamp’s various art pieces in the research I did for this paper, my personal thoughts are that Duchamp could have even felt that he was even using his Dadaism art in making fun of those who admired it, purchased prints of it and highly regarded it in any way. For example, in claiming a ready-made porcelain urinal and attaching a ready-made bicycle wheel to a ready-made stool, lacked pretty much any originality and even if it Dada was considered anti-art, he could have been fooling his audience. In one of my readings it noted that he was extremely surprised that he already had a large â€Å"fan base† in the United States upon arriving here. It could be that he thought he was â€Å"fooling† less people than he realized with some of the pieces he chose to present as â€Å"his† art. In one of the readings it stated that Duchamp â€Å"retained a sharp sense of humor in all circumstances—even to his death. Through humor, Duchamp abolished the difference between that which possesses and aesthetic quality and that which doesn’t† (Kuenzli). So it could be said that possibly Duchamp was just testing â€Å"us† to see at what if we got his Dadaism joke. While the Dadaist movement eventually declined in its popularity in the 1920’s, many artists who were before practicing Dadaism began practicing Surrealism. There was noted a Dadaism revival which occurred in New York in the mid 1950’s. Many feel this reaffirmed that Dada art was an important artistic movement in the world of arts. References Art History: Dadaism. World Wide. 2006. World Wide Arts Resources. 14 May 2007 http://wwar. com/masters/movements/dadaism. html. Gale, Matthew. Dada Surrealism. Art ideas. London: Phaidon, 1997. Kuenzli, Rudolf. Marcel Duchamp: Artist of the Century. Cambridge, Massachusetts: MIT Press, 1989. Masheck, Joseph. Marcel Duchamp in Perspective. Englewood Cliffs, New Jersey: Prentice-Hall, 1975. Tomkins, Calvin. The World of Marcel Duchamp. Amsterdam: Time-Life,1985.

Prostitution and Legislation :: Argumentative Persuasive Topics

Prostitution and Legislation Sex for sell. For some prostitution is a victimless crime while others fight hard in the hopes of one day abolishing prostitution forever. The topic of prostitution remains a greatly debated issue even after so many years of existence. Prostitution existed as far back in time as ancient Athens and ancient Rome. In Rome, prostitutes were licensed by the state and taxed. Prostitution continued to flourished through out Europe until the High Middle Ages with the outbreak of the syphilis epidemic and Reformation morality (Academic American Encyclopedia 91). In most large Western cities today prostitution is illegal but tolerated, because police there are more concerned with regulating the crimes, organized by crime syndicates, associated with prostitution (Compton's Interactive Encyclopedia 94). Other Western governments combine regulated prostitution with public health measures to control disease (American Academic Encyclopedia 91). Prostitution has lasted and survived every attack by civilization to end it. Some would say that for as long people have both money and sexual frustration some will continue to pay others to satisfy them ( Bovard 18). Existing throughout the world and time, prostitution has managed to survive, however a growing number of people are beginning to look at the effect legalization of or strict laws for prostitution would have on a community. Prostitution in the world is alive and well despite the fact that is it consider illegal in most developed countries (Academic American Encyclopedia 91). Some see it as an issue of safety in out neighborhoods and other take it on as a moral issue. However, because of the spread of disease and what seems to be a futile battle, many cities in America and other countries are considering the possibility of legalization and regulation of prostitution. In Britain, it is considered legal to sell sex but, the associated activities including soliciting, advertising, street walking, and running brothels is illegal ("Green-light areas" 73). The article "Green-Light Area" talks of how the police in Britain tend to turn a blind eye to prostitution and go after the pimps and drug-dealers who are connected with the prostitution (73).This method of policing is different from that in America where police concentrate on the prostitutes themselves. Brothels are also given license in Britain. The thinking being that is it allows regular visits by health officials who check basic sta ndards of hygiene and can dispose of dirty needles ("Green-Light Area" 73).

Gender Codes in SELF Magazine Essay -- Sex Gender American Culture

An Ideal SELF Woman? Americans live in culture full of numerous gender codes. Gender codes are imaginary rules of how males and females should live and are created within America by the media such as TV shows, movies, billboards, magazines, and advertisements. In "Gender Codes in the American Culture", Jack Solomon and Sonia Maasik believe that "Gender codes are socially, not naturally, constructed, and usually reflect cultural values rather than natural facts" (476). This supports that the media creates gender codes because it is the main method in which cultural values are presented. They present what is accepted to be masculine and feminine in America at the time, and society follows these generalizations of what it means to be a man and a woman, thus creating gender codes. A lifestyle magazine is an example of a one type of media that creates gender codes. It is easy for lifestyle magazines create gender roles because they idealize a certain type of man or woman because they address the aspects of everyday life in their articles, advertisements, and features. They show their readers how the ideal man or woman lives their life. SELF is one lifestyle magazine that does just that. SELF is a lifestyle magazine for women between the ages of 20 to 50 years of age and it focuses on giving their readers information and pointers of how to live a supposedly well-rounded life. SELF creates the feminine ideal that a woman be competent in every aspect of her life. According to SELF, being competent in every aspects of a woman ' s life includes being health conscious, eating right, having scheduled weekly workouts whether at home or in the gym, keeping yourself well groomed, dressing fashionably, being independent, having healthy r... ...er life, and if she isn't, then she should be working to fix that in order to achieve this ideal status. This ideal woman creates a gender code for SELF readers. Works Cited Blum, Deborah. "The Gender Blur: Where Does Biology End and Society Take Over?" Signs Of Life in the USA: Readings on Popular Culture for Writers. 4th edition. Ed. Sonia Maasik, and Jack Solomon. Boston: Bedford/ St. Martin's, 2003.495- 501. Maasik, Sonia, and Jack Solomon. "We've Come a Long Way, Maybe: Gender Codes in American Culture." Signs Of Life in the USA: Readings on Popular Culture for Writers. 4th edition. Ed. Sonia Maasik, and Jack Solomon. Boston: Bedford/ St. Martin's, 2003.475-483. Wolf, Naomi. "The Beauty Myth." Signs Of Life in the USA: Readings on Popular Culture for Writers. 4th edition. Ed. Sonia Maasik, and Jack Solomon. Boston: Bedford/ St. Martin's, 2003.515-524.

Holborne †Pavane and Galliard Essay

Holborne’s Pavane ‘The image of melancholy’ and Galliard ‘Ecce quam bonum’ (Behold, how good a thing is) are two pieces that belong to the genre of ‘consort music’, a form of domestic music that made its appearance in Elizabethan England. A consort may have derived from the French ‘concert’ which implied an ensemble of instruments or voices that perform. In later years, from about 1575, ‘Broken consorts’ were introduced and these included mixed ensembles. The usual instrumentation for a broken consort was lutes, viols (treble and bass) and flute. Consorts of viols began to appear during the time of Henry VIII with the earliest source of the music being a songbook of Henry VIII, found after his death that included copies of Viol consorts. There are three main types of consorts, one being the Pavane and Galliard, which is a dance form. In many of the pieces, the writing was very similar to that of contemporary writing for voices; therefore it was usually polyphonic in texture. When paired together, the Pavane usually takes the more melancholy character, while the Galliard a more cheerful one which is shown in these two movements by Holborne. Although dance forms were used for both movements, the dense counterpoint provides melodic interest for all five players and also listeners, which suggests the music to be more for listening than dancing. Not much is known about Holborne, but he did publish two collections of music with about 120 works altogether.

The Life of Madame de Pompadour, Royal Mistress and Advisor

The Life of Madame de Pompadour, Royal Mistress and Advisor Madame de Pompadour (December 29, 1721–April 15, 1764) was a French noblewoman and one of Louis XV’s primary mistresses. Even after her time as the king’s mistress came to an end, the Madame de Pompadour remained an influential friend and advisor to the king, especially as a patron of arts and philosophy. Fast Facts: Madame de Pompadour Known For: Beloved mistress of King Louis XV who became an unofficial advisor to the king and an influential leader of the artsFull Name: Jeanne Antoinette Poisson, Marquise de PompadourAlso Known As: ReinetteBorn: December 29, 1721 in Paris, FranceDied: April 15, 1764 in Paris, FranceSpouse: Charles Guillaume Le Normant dÉtiolles (m. 1741; separated 1745)Children: Charles Guillaume Louis (1741-1742), Alexandrine Jeanne (1744-1754) Early Life: The Reinette Jeanne Antoinette was the daughter of Francois Poisson and his wife Madeline de la Motte. Although Poisson was her legal father and the husband of her mother, it is more likely that Jeanne’s biological father was Charles Franà §ois Paul Le Normant de Tournehem, a wealthy tax collector. When Jeanne Antoinette was four, Francois Poisson had to leave the country due to unpaid debts, and Tournehem became her legal guardian, thus giving even more credence to the rumors that he was her real father. Like many girls from families of means, Jeanne Antoinette was sent to be educated at a convent when she reached the age of five. The education was excellent, and she proved to be a popular student. However, she became ill and returned home four years later. Her mother took her to a fortuneteller, who predicted that Jeanne Antoinette would win the heart of a king. From that point on, those closest to her began calling her â€Å"Reinette† (a diminutive, or nickname, meaning â€Å"little queen†). She was educated at home by the best tutors. Tournehem arranged for her instruction in all the subjects deemed necessary for a woman’s education, in order that she might one day attract the interest of the king. Wife and Socialite In 1740, Jeanne Antoinette married Charles Guillaume Le Normant dÉtiolles, the nephew of her guardian Tournehem. Upon their marriage, Tournehem made Charles his sole heir and gave Jeanne Antoinette an estate (one situated near the royal hunting grounds) as a wedding gift. The young couple were only four years apart in age, and they did fall in love with each other. Jeanne Antoinette promised she would never be unfaithful- except for the king. They had two children: a son who died as an infant, and a daughter, Alexandrine, who died at the age of nine in 1753. As a stylish young married woman, Jeanne Antoinette spent time at many of the elite salons in Paris. She encountered many of the figures of the Enlightenment and, in time, began hosting her own salons at her Étiolles estate, which also attracted many leading figures of the day. Educated and curious, she became a notable and witty conversationalist in the company of these people. By 1744, Jeanne Antoinettes name was being mentioned at court, attracting the attention of Louis XV. Her estate was adjacent to the king’s hunting grounds in the forest of Sà ©nart, so she was permitted to watch the royal party from a distance. To get the king’s attention, however, she rode directly in front of his group- not once, but twice. The king took notice and sent her a gift of venison from the hunt. The king’s official mistress died in December 1744, leaving the position vacant, and Jeanne Antoinette was invited to Versailles to the masked ball celebrating the engagement of the Dauphin. At the ball, Louis publicly unmasked and declared his affection for Jeanne Antoinette. Becoming the Royal Mistress In order to be properly introduced at court, Jeanne Antoinette had to have a title. The king solved this by purchasing the marquisate of Pompadour and giving it to her, making her the Marquise de Pompadour. She became the king’s official mistress, living at Versailles in apartments near his, and was formally presented to the court in September 1745. Notably, she got along quite well with the queen consort, Marie LeszczyÅ„ska, and worked to have a good relationship with the royal family overall. Madame de Pompadour was more than just a mistress. Louis XV respected her intelligence and understanding of social nuance, and as a result, she functioned as an unofficial prime minister and advisor. She supported the First Treaty of Versailles, which created an alliance between former rivals France and Austria, and rallied support behind government ministers whose fiscal reforms helped France become one of the world’s wealthiest countries. Madame de Pompadours influence was not limited to the political sphere. Building on her years in the Paris salons, she championed scientific, economic, and philosophical exploration as well. Her patronage protected the growing theory of physiocracy (an economic theory that emphasized the value of agriculture) and defended the Encyclopà ©die, a fundamental text of the Enlightenment that was opposed by religious figures. Her activities and her common birth earned her enemies and made her the subject of malicious gossip, but her relationship with Louis and the royal family remained mostly unaffected. The King’s Friend and Advisor By 1750, Pompadour ceased being Louis’s mistress, in large part due to her many health problems, including recurring bronchitis, three miscarriages, and chronic headaches. Nevertheless, she maintained her influential position, since their relationship had become much more than just a sexual one. The king did not take a new official â€Å"favorite,† but instead installed a succession of temporary mistresses at a chateau away from court. According to most reports, his heart and loyalty remained with Pompadour. During this era, Pompadour turned her patronage to the arts, which she used to announce her loyalty to the king (through commissions honoring him) and to cultivate her own image. In 1759, she purchased a porcelain factory, which created many jobs and ultimately become one of the most famous porcelain makers in all of Europe. Pompadour herself learned to engrave under the tutelage of Jacques Guay and Francois Boucher, and she was a significant influence in the development of Rococo style. It is likely that she contributed a fair amount to the work of the artists under her patronage. In fact, some historians consider her an actual collaborator on many works. Death and Legacy Madame de Pompadours poor health eventually caught up to her. In 1764, she suffered from tuberculosis, and Louis himself cared for her during her illness. She died on April 15, 1764 at the age of 42, and was buried at the Couvent des Capucines in Paris. Because of her influence on French society and her unusual advisory role to the king, the Madame de Pompadours legacy has endured in pop culture, from the publication of biographies to an episode of Doctor Who to the naming of a particular diamond cut. Sources Algrant, Christine Pevitt.  Madame de Pompadour Mistree of France. New York: Grove Press, 2002.Eschner, Kat. â€Å"Madame de Pompadour Was Far More Than a ‘Mistress’.† Smithsonian, 29 December 2017, https://www.smithsonianmag.com/smart-news/madame-de-pompadour-was-far-more-mistress-180967662/.Foreman, Amanda, and Nancy Mitford. Madame de Pompadour. New York Review of Books, 2001.Mitford, Nancy. â€Å"Jeanne-Antoinette Poission, marquise de Pompadour.† Encyclopaedia Brittanica, 25 Dec. 2018, https://www.britannica.com/biography/Jeanne-Antoinette-Poisson-marquise-de-Pompadour.

How and with what success did the black SAs resist aparthed essays

How and with what success did the black SAs resist aparthed essays How and with what success did the black SAs resist the Gov Policy of Apartheid in the peiriod 1948-76?(Boycotts, alliances among black orgsanisations and groups ,Non violent and violent protests and strikes) During the peiriod 1948-1976 South African blacks resisted the Apartheid policies of the NP by boycotts strikes, Violent and non violent protests. These mass movements were highly successfull in many ways. The early non-violent strikes triggered international awareness and brought blacks from all backgrounds into organised politics. The later part of the struggle culminated in the fall of aparthied in 1990, therefore ressistance during this period has to be seen as highly successful. The coming to power of Malans apartheid government stimulated a shift in the ANC to firstly more millatant ressastance as well as a united struggle between all races( as shown by the the Doctors pact between Naiker , Xumz and Dadoo). In December 1949, with the support of the ANC Youth League, a new leadership came to power in the ANC. Walter Sisulu was elected secretary-general and a number of Youth Leaguers were elected to the national executive. In 1949 the Programme of Action(POA) was drafted by the ANC youth league. The programme claimed the right to self-determinattion for all africans as well as rejecting white dominance but most importantly it called for mass boycotts, strikes and civil disobediance and to raise consouness for the struggle via propganda. The first major mass action of the POA was the May day strike of 1950 which called for a major stayaway, 70% of workers stayed home and this led to a stop in industry, although it was peacefull during the day at night cops killed 13 people in a townships. Thus a National Day Of Protest and Mourning was called for the 16th june due to these deaths and in protest to the Unlawful Organisations Bill. This day was a major sucess as it stopped the bill from being pas...